Excellence vs. Perfectionism (Chapter 4)
As artists it is all too easy to fall into the perfectionism trap. This happens many times because we think too much in black and white. Our performance was either all good or all bad. I am either a really good artist or I don't deserve to be called one at all. As an artist we need to be careful not to find our self-esteem in our performance, but in our identity as children of God. We also need to have realistic expectations of ourselves.
We need to savor the positive. What that means is not patting ourselves on the back for doing a good job, but letting God pat you on the back for doing what He called you to do. This turns a performance into a worship experience. Maximizing the negative is really self-centered (although it doesn't seem so at first) because it focuses on us and our shortcomings.
Instead of pursing perfection, we should pursue excellence. A good definition of excellence is "doing the best you can with what you have." We should always do the best we can, because that brings glory to God, which is the purpose of our art in the first place. Check out this quote from Rory Noland: "Excellence is also a powerful witness for Christ. Most non-Christians who ever end up in church expect the music to be lousy and outdated. They don't expect to be moved by drama or dance or the visual arts. Wouldn't it be great if they were to come expecting the worst but instead found the arts produced with creativity and excellence?" It is our responsibility to bring glory to Christ with excellent art.
As Christians we should be committed to quality. After all, God deserves nothing less. We should not be looking for excuses to produce second rate stuff. This doesn't mean that there isn't room for experiments and growth, but it does mean that there is no excuse for continuing mediocrity. In 2 Samuel 24:24 David insists that he will not offer the Lord anything that cost him nothing, we should do the same. We should hone our skills so we can offer Him our best.
When we talk about effective communication, we have to talk about stage presence. 'There's been a sentiment in the church for far too long that singers who perform without any facial expression or emotion are somehow less distracting and more spiritual. When we're talking about something important to us, we don't stand at attention like robots. We move our arms to emphasize our point. Our faces register an emotion that matches our words. Vocalists, when you rehearse, do you give as much attention to how you're going to communicate a song as you do your technique? Do you know what the payoff lyrics are, the ones you don't want anybody to miss? Does your face reflect what you are singing about? We in the church need to take communication seriously, because we've been given the charge to communicate the Good News!
We also need to be prepared spiritually. It is just as important as rehearsing the songs. If a song doesn't minister to the person singing it, it won't minister to anyone else. Make sure that your walk with God is a daily thing, and you will be amazed at the things He tells you through song.
Enjoy the Journey
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